Featured Poetry

Two Poems: Jump Ship & Overdosed

Jump Ship

Grey scarred sky.

Petrichor clouds pool.

The Pacific swells,

pushes & pulls

the trimaran my father

tries to command.

 

Cobalt waves bite white paint off out-riggers,

the hulls creak,

each sway to and fro sends

us closer to the rock hued shoreline

on Hollywood Beach.

 

My father persuades

the engine to kick a little longer:

a bubble trail that sputters out

in plumes rather than one long exhale.

He mutters curses into the sails,

but the ocean’s vocabulary

blows back with gale force.

A slick rope slithers

through his hands,

pinkens his palms.

Scarlet rivers

run from his hands.

 

From the right out-rigger,

I lean to touch rock,

push the boat away from shore,

tell my teenage muscles

to hold like my father

commands the engine to hold on

a little longer.

 

I hear my father call

the Coast Guard over the radio.

The engine dies,

my arms shake against rock,

and he says, “jump ship.”

 

Four years later,

the ferry’s angled hull cuts

white caps in half, each waves’

mist coats the deck

with ocean’s blood.

 

On the horizon: Victoria, BC,

small lights wink in and out of fog.

I lean on the rail, feel the ship find rhythm

on Juan de Fuca’s choppy straight.

 

I cup my hands & let

sea-spray trickle down

lines in my palms,

pooling the last image

of my father: wheat stalk thin,

eyes crowed with sorrow.

 

He stands on bare sub-floor,

& this morning’s

grey sunrise pours

through a veined window

in the only home I’ve ever known.

 

People I don’t know sleep

in my boyhood bedroom

& in the yard we once played catch in.

 

In his extended hand:

a seventeen-year-old birth certificate

from a place I’ve never known.

His eyes are wet with words

his lips won’t say:

“jump ship.”


Overdosed

 Across the street, a chorus sings to the faint

beat of my pulse—calls dibs

                                       on who gets what.

A fly lands on my cheek

                                 only to lift off,

         surprised by my blinking eye

and thin, warm skin.

 

The fly suspects

                                 what I do:

my last words—a quiet falsetto—

                                             trapped here,

on this bus shelter’s glass wall,

                                             etched under

and next to names

                     who sat here (or there),

because there was no

                                 other place.

They waited

                     in a place of waiting

with nothing

                     and left behind

their names

         and the dates they left

the place of waiting.

A harmony of crows now and

                                 the fly’s hum,

I wonder if the crows

                                 send the fly

to check for life?

                     How much blood

    have they seen

stain eyes,

         pool in this bus stop?

Did they chisel

         these names and dates

by beak

on these glass walls

 so when I stitched

         myself with opium’s

needle, I’d know

         I wasn’t alone?

An ambulance

         rocks the curb,

straddles the sidewalk

         before its brakes

hiss to a stop.

 Through the glass

         where my name

should be: two men,

         one stretcher,

all three pause

to say,

         He’s alive.

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