Featured Poetry

Orb Eater & Beading the Alphabet

Orb Eater

Float a line on the wind

and see what it catches.

A radius of silk built on the Y

of a wishbone and a wreath of smoke

haloed above your head

and below the moon’s skull.

Eat the tenderness morsels first,

and kitten lick your bloody cuticle.

Translate the dark hieroglyphics

power washed into your vinyl siding,

last year, into the language

of survival. Dismantle the idea of home.

Take the day’s hours and hide

away from and behind your own eyes.

In the apocalyptic dark

the hammock will hold you

in a fractal embrace

when no one else will.

The trampoline, a giant web doused,

made to glisten with lighter fluid dew.

Set it sacredly ablaze

and warm yourself with

an approximation of love.

Eat what you built. Start again.


Beading the Alphabet

You walk the dog because it is snowing,

fat flakes so big they catch your face and melt

into almost droplets. In the dark, the snow seems

to radiate out from the street lamps like dandelions

gone to seed and wish-blown, and the dark between light posts

reminds you of connect the dots and hopscotch, both, as a child.

A picture emerged; you rolled a rock and hopped on one leg—

you could use pencil lead to bring to being something that had not been

there just moments ago. You could skip over chalked boxes and turn

and bend to scoop a piece of gravel, all on one leg and you loved your body

for it. Your house is teenager loud and frenzied, full of music and jagged laughter

that bounces above it. The dog is wild with joy, but inside, you are still, and your body

sought the stillness of the glowing gray and silence secreted in snow. Not a single car.

You love your body tonight too, although it won’t be controlled and caused

embarrassment earlier by bleeding. Your muscles are soft and move with a warm oil ease

you attribute to sex, not all sex, but the sex you had this afternoon. You melted like

snow—all of you, inhibitions included and if you closed your eyes during, it was to go

deeper, not disappear from yourself and others, and when you opened them it was to read

his face like a page, eat with your eyes the taunt muscles of his arms, trace the branches

of the tree on his shoulder. Later you kissed the soft, hollowed hinge between forearm

and bicep and sighed because what words are there? The smell there can be found behind

his ear, the hollow of his throat, the ridge of his collarbone. You connected the dots of his

smell. Your fingers hopscotched his face, neck, arms. His hipbone a handle your palm

covets. How shy you feel, and ill equipped to articulate he makes pleasure seem an

alphabet, letters to be taught and beaded together into words inside your body and across

your skin. Pleasure so abundant—and newly discovered—so that it is this and this and

this and yes, yes, yes that and that too. It is only as you are driving home that cliché

climbs like Creeping Charlie and you think maybe what popped out of your mouth

authentically could be the talk bubbles above a storyboarded porn’s protagonist: Oh god!

That feels so good. Fuck. Fuck. Fuck me. If anything, that was real, the deep place, like

the eye of his kiss, the core, the unthinking only-being-in-it, forgetting everything but that

which is pressed up so fine against you. For a moment, the last streetlight before home,

the snow seems to bloom

just for you.

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