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Surah Al-Mursalaat – LXXVII, Corinthians XIII and Matthew V

Surah Al-Mursalaat—LXXVII.  (The Emissaries)*

 

  1. Turbulent winds—cyclones—

(as if out of Dante)—

are the impressions of thoughts,

words—

ungrounded in Poetry.

 

  1. These whirlwinds compose

murderous hurricanes!

 

  1. The atmospheric Disturbance

batters white clouds black,

and then rain smacks and smites,

slaps and stabs,

the earth.

 

  1. Oxygen is a waste, except for what’s invested

in Poetry,

what demarcates Beauty (Truth)

from Terror (Death).

All other literature is spittle.

 

  1. Those lacking Poetry in their lungs—

or on their lips—

are neither prophets nor lovers.

 

  1. Then, when stars go dull, pasty;

get dirty, befouled, as if dipped in ash-pits;

and when the full moon is as pallid

as the dark-white ash of a dying cigarette;

and when the mountains are dust as grey

as the pallor of a European corpse;

then dawneth The Day of Discrimination

verily, The Day of Judgment

when a visible minority goes into Paradise

and the vast mass of folks are discarded

and consigned to Hell.

 

  1. Lookit: The only folks empowered

to explain Judgment and/or Justice

are poets.  That’s blunt talk.  Fact!

 

  1. Note: Even heathen ancients—

pagan philosophes

are variously—

but invariably—

destroyed,

like Plato,

for attempting to ban and/or censor poets.

 

  1. Well, the same merde will befall

current poetasters, infidels, hypocrites:

They’ll be disgraced, and then destroyed.

 

  1. Slaughter? That’s how God puts down

the refractory Hubris of rebarbative critics.

 

  1. Damned are those whose moaning Panic

acknowledges their downfall into Hell!

 

  1. A mortal?

A being conjured from the worthless squirt of a male

upon whom a female has offered a mothering glance,

and then permitted the germ to sprout

in the same portal from which she pisses,

and behind which she shits.

 

  1. Childbirth beautifies

what’s otherwise a sewer.

 

  1. The world is rich with malamen (Malevolence),

with songs stuck in lungs,

with unhinged guts!

 

  1. The living suffer personal cave-ins;

the dead encunt graves.

 

  1. Infidels will be told,

“You’re gonna see four walls of flame,

feel smoke that gnaws at your lungs.

 

  1. “Where ya gonna find shade?*

Where ya gonna find ice water?*

 

  1. “Geez, Hell spits out sparks

that resemble yellow camels—

or sulphurous griffins;

darkness staggers back—

becomes regressive nigrescence.”

 

  1. Damned are those whose mouths are skulls!

They belong to napalmed slums!

 

  1. Only the poets—ancient and modern—survive

The Day of Discrimination!

Mark my words!

 

  1. Tell poetasters to, please, scrawl their numbers,

screech their verses,

so they hurry on their Destruction.

 

  1. Damn those who deny Scripture,

who admire polygraphy,

rather than monotheistic verse.

 

  1. Pagans—congenitally pompous—are damned.

 

  1. Lookit! Infidels, schemers, and hypocrites,

why not orgy—feasting unto vomiting

and fucking unto Bastardy?

Thy spawn will bankrupt thee,

shatter thy hearts,

then shit on your graves!

 

  1. Woe unto plutocrats and their constant

brutalization (dehumanization) of peasants!

 

  1. Woe unto the foes of Poetry!

They are gigantically dishonest types.

 

  1. Poetry is Truth,

and those who don’t heed these verses,

will discover that God speaks a langue

of tongue-lashing,

echoing Dante,

that will set unbelievers writhing

in abbatoir-level Anguish!

 

 

[Edmonton (Alberta) 23 novembre mmxvii

& YEG—Edmonton (Alberta) 24 novembre mmxvii

& Montréal (Québec) 25 novembre mmxvii]

 

 

I Corinthians XIII.*

 

  1. Cos my sentences stitch drumbeats

(showin my innate flirtation with Percussion),

and I got no trainin in a Gospel vein,

my present Signature should be whistlin.

 

  1. And though nowadays I scribe archives of Verse,

and ply that Amusement dubbed Poesy,

I still got no trainin in a Gospel vein

(though perchance I can percolate up Prophecy, eh,

to say, “Hey, I reads ma Bible, don’t I?!!”).

But I be nothin if I can’t steal Thought….

 

  1. And though I humour stumblers and bumblers,

and gift all comers my hints and hunches

(messagin even the evil-tempered afflicted),

I get no Profit

cos I got no trainin in a Gospel vein!

 

  1. But Gospel—that “Good News”—is no pretense;

it be Love;

it is, thus, never solitario;*

it outgreets strangers….

 

  1. The Gospel of Love opens at a crime scene:

The Crucifixion;

thus, there’s no Frivolity; no flirting about;

it don’t fool around;

it don’t alter correct moods….

 

  1. The Gospel of Love credits Obsession,

but nixes Lust.

 

  1. The Gospel of Love never flinches,

never equivocates, never deviates,

never diverges, never dissembles.

 

  1. The Gospel of Love is tempered steel.

Yep, prophecies can fall short,

verses can be reversals,

words can get choked back and swallowed hard.

Straight limbs can warp crooked.

 

  1. For we write a bit and we speak somewhat;

we’re literate as we orate,

but illegitimate too often is our sense—

of our own meaning

as well as how others decipher us.

 

  1. But when Poetry thrills through our lungs,

our tongues,

all unpleasant and/or partial expression

is thereby void.

 

  1. When I was a child, I imagined

Love was either awful or beautiful,

but still I thought I could view it

as the convergence of the twain.

But when I became a man,

I disliked easy dissimilarity.

 

  1. For now, we read and write and speak

unevenly;

are true to our word (pious)

or go opaque (illegible);

but soon we shall be as clear as a steel-nib pen,

searing black words into ivory paper.

 

  1. And now abideth diurnal Mystery,

imbued with Poetry,

verbs tense with Intention (Will)

or Memory (the done book);

but the premium Epic be

the Gospel of Love.

 

 

[Zagreb (Croatia) 18/10/18]

 

 

Matthew V.

 

  1. Blessed are the solo, but soulful,

who, though outnumbered so woefully,

avoid—or void—all the corrupt.

 

  1. (Fat cats will be voluptuous ashes!)

 

  1. Blessed are the irreversibly insatiable,

those who obtain Salvation

but seek extra Grace, extra Mercy.

 

  1. Blessed are the avant-garde,

who declare that Abstinence

is a diabolical Delusion.

 

  1. Blessed are those who are joyfully hunted down,

joyously slain,

whose tears rain and flood,

for they are anguished poets,

speakers of influential Misery.

 

  1. Blessed are the indelibly ugly,

for never are they baffled by flimflam

nor are they bewitched by gold.

They will know truest Love.

 

  1. Blessed are the cavaliers,

whose horses stampede toward—

then pancake down before—

the spitting machine-guns,

but not before their hooves graze, famished,

plundering and punishing bomb-craters.

These chevaliers will enter Heaven.

 

  1. Blessed are the beautiful poets gone lame—

titled only by their volumes,

entitled only to be read:

They will oversee the obliteration of banks.

 

  1. (Poets exceed bankers—

if verses count, not dollars.)

 

  1. Blessed is the quarrel between plutocrat

and peasant,

until the fastidious hammer bashes nails

through lace-fringed palms,

and rough, wool-coated poets

straddle ponies, unguarded unfenced,

and scamper into chasms

of railway tunnels.

 

  1. Blessed are the poets, gouging on dead names—

their metres broken open so howls escape—

those poets gone deaf to their own Collected Poems;

they’ll be perfect, even at dying—

even in sloppy crime scenes,

so their rhetoric will (ap)peal everywhere.

 

  1. Blessed are the secretly bitter—

the unimaginably valid—

who sleep face-down in Loneliness,

who slit open a page so that it bleeds words—

tumbling into placid acid—

black ink, inflammatory—

scary figures of speech;

for everytime one scrawls a poem,

they put off dying a little longer.

 

  1. Blessed are the half-rhymes of the married

after the full rhyme of the wedding night

(the hateful slumber of newlyweds):

No other way for their music—

their melody—

to survive—

except as jazz.

They will gripe and squall—

side to side, crabby.

But great poets still go into dust;

and their bones,

once ground up by young poets,

produce brilliant ink.

 

 

[Halifax (Nova Scotia) 27 septembre mmxix]

* First conceived in GEC, Saltwater Spirituals and Deeper Blues (1983), p. 47.

* Comino @ Malta, par exemple:  A version of Hell in summer.

* Cf. Iceberg Slim (Robert Beck), Pimp (1967).

* Translated by Rilke.

* Lonely.

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